A camera obscura installation using artistic strategies which works as an educational device. On one hand it provides a framework for an active dialogue between receptors who question what visual culture can do us inside, and non-affirmative creative producers of other images and imaginary.

Over its outside walls, two projections are displayed: an overflown series of image classifications, an unfinished and unending map of possible paths between the images we are subdued to, which invites us to take position, to appropriate, deny or answer them. A second projection verses over visual perception and subjectivity, and how this last one affects our ability to see and create sense, to feel addressed by images. An invitation to take other’s eyes borrowed to look at what is proposed to us as  the true image of reality.